{"id":670,"date":"2021-03-25T05:02:00","date_gmt":"2021-03-25T04:02:00","guid":{"rendered":"http:\/\/roglacup.com\/klaus62\/?p=670"},"modified":"2021-03-24T05:48:46","modified_gmt":"2021-03-24T04:48:46","slug":"morning-songangel-olsensister","status":"publish","type":"post","link":"https:\/\/roglacup.com\/klaus62\/2021\/03\/25\/morning-songangel-olsensister\/","title":{"rendered":"Morning song#Angel Olsen#Sister"},"content":{"rendered":"\n

In the interviews surrounding her upcoming album,\u00a0MY WOMAN<\/a><\/em>,\u00a0Angel Olsen<\/a>\u00a0has emphasized her desire to not be\u00a0pigeonholed. To prove this point, the album\u2019s\u00a0three singles have each concentrated on a different aspect of Olsen\u2019s musical personality. First there was\u00a0\u201cIntern,\u201d<\/a>\u00a0a glittery ode to existence and daydreaming.\u00a0\u201cShut Up Kiss Me\u201d<\/a>\u00a0painted Olsen as a rollicking, relentless romantic. But\u00a0not until Side B\u2019s \u201cSister\u201d is it obvious that Olsen is still figuring herself out and, more importantly, that she is cool with the resulting complications.<\/p>\n\n\n\n

\u201cSister\u201d reaches this introspective conclusion after an almost-eight minute journey that, rather than being anthemic, is relatively\u00a0uneventful (after all, epiphanies rarely arrive after a literal lightening strike).\u00a0Beginning with the sort of yearning guitar strum that could kick off an early Taylor Swift love song, the song transforms into a sun-stroked Neil Young ballad. Such a lengthy track inherently requires patience from its audience, but \u201cSister\u201d has little difficulty hooking Olsen\u2019s audience onto every protracted word through pure honesty.<\/p>\n\n\n\n

Posted from:https:\/\/pitchfork.com\/reviews\/tracks\/18508-angel-olsen-sister\/<\/a><\/p>\n\n\n\n

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